Trick or Treat

Liberated Sawtooth doll quilt

16” x 23”

machine pieced, machine quilted

Diane Burdin, 2003

A Vacation Souvenir

Our family vacations tend to center around what my husband and kids enjoy--Civil War battlefields & other historic sites, museums, zoos & aquariums, or driving 22 hours to see family in Florida. Sometimes it feels like I’m just along for the ride. 

Of course, the best vacations have something for everyone, and our recent trip out West included a stop at the Museum of the Rockies in Bozeman, Montana, home to both dinosaurs and an impressive collection of quilts!

This spunky nine patch was my favorite. Made by Mollie Stine for her daughter Alice, it traveled with the family from Missouri to Montana in 1898. Details of their covered wagon journey were documented in a Bozeman newspaper (below).

double CLICK to read

Two hundred twenty-four nine patch blocks pack a punch, especially when a wide array of browns are paired with bold cheddar. The interplay of color in this quilt creates an energy that's palpable!

Source

I began piecing nine patches the minute we got home! but I'm afraid my dream of duplicating the Stine quilt is a no go. The rotary cutting and machine piecing are beyond me

Updated June 2018: No quilt yet, but I did share some blocks with my friend, Barb. Hope she enjoys them!

Many Hands

Remember the saying, “Many hands make light work.”? I’ll bet it was coined by a quilter. Quilting has always been collaborative in nature, from the “hands on” teaching of the craft one woman to another, 

This might well have been the fate of my Whig Rose quilt, had dear friends not interceded on its behalf. From the start, it was destined to be a collaboration but I could never have predicted how many hands would leave their mark on it with loving stitches.


I received the center block from Chris K. in a 1992 Christmas exchange. As much as I loved the block and wanted it to be the focal point in a quilt, my life was too hectic to start a new project. We just had our second child and were selling one house while building another. Needless to say, the block got set aside.

Once settled in our new home, I decided to meet local quilters by taking a class. Out came the Whig Rose block--a perfect starting point for a class on designing borders. As you can see, Border 1 provides a simple frame around the busy center. Border 2 is the classic half square triangle, with a controlled color layout. For Border 3, I got as far as designing the applique, cutting out leaves and flowers, and basting the pieces in place. Once again, it got set aside, this time for several years.

Life had gotten in the way, BIG TIME! I thought the quilt would never be finished. I asked my friend Barb V. if she would be willing to complete the applique and she agreed. When she returned it to me, I thought the border needed something else. How about berries? Barb took what she now referred to as “our quilt” and dutifully stitched fifty-some berries (Who’s counting? I bet she was!) amongst the appliquéd flowers.

After that, I lost all sense of guilt or shame. I couldn’t bear to have it machine quilted since every other stitch had been done by hand. So, Mary C. was enlisted to hand quilt the Whig Rose. Kathy S. added the binding. Sheila L. shuttled the quilt between volunteers and although she tried that “possession is 9/10 of the law” bit, she returned the precious quilt to me--finally completed, 15 years after its inception.

Is this waaaaay more than you care to know about any of my quilts?